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Archive: Hokushû and Baien (Collaborative Work)

Description:
(R) Asao Kuzaemon I as Dôkaneya Kôbei; (M) Arashi Kichisaburô II as Nippon Daemon; and (L) Arashi Koroku IV as Kiba no Osai in Tôtomigata koi no shiranami, Naka Theater, Osaka
Signature:
(R and L) Shunkôsai Hokushû ga. (C) Baien sha [copied by Baien]
Seals:
No artist seals
Publisher:
(R and L) published by Honsei (Honya Seishichi: 本屋清七); (C) no pub. seal
Date:
9/1819
Format:
(H x W)
Ôban triptych
38.2 x 76.4 cm
Impression:
Good
Condition:
Good color and condition (unbacked; slight fading; repaired wormholes, mostly along edges; thinned paper along right edge of right sheet; minor marks and creases)
Price (USD/¥):
SOLD
Inquiry: HKS34
Comments:
Background

This is a gassaku — a collaborative composition or collective work in which more than one artist is responsible for the design. It is not clear what Baien, who designed the center sheet, intended when he appended sha to his signature. The term had various meanings, includinig "copied by," "drawn by," or "sketched by." Perhaps he was declaring that his drawing of Kichisaburô was done in the manner of Hokushû, who was certainly the senior artist on the project.

Although gassaku appear from time to time, they are uncommon, especially from the earlier period of Osaka printmaking, as here. When they were published in Kamigata (Osaka-Kyoto region), they typically involved a master and his students. There were also shared projects involving artists of equal status (some scholars argue that the term gassaku should apply only to collaborative works by artists with similar standing).

Design

A very good example of a collaborative work from the second period of Osaka printmaking.

摺り、色、保存状態すべて良好。(裏打なし。少々色あせ。端に沿った虫穴は補修済。右絵の右端に沿い紙薄、極小シミ、シワあり。)